Inside the Personal Life of Afrojack: His Marriage and Children
Afrojack is a $60 million net-worth Dutch music producer, DJ, and remixer. Afrojack has released the album “Forget the World” (2014) and the EPs “Lost & Found” (2009), “Lost & Found 2” (2011), “It’s a Matter Of…” (2013), “NLW” (2015), “Press Play” (2018), and “NLW 2” (2022), and he is known for singles such as “Take Over Control” (featuring Eva Simons), “No Beef” (with Steve Aoki featuring Miss Palmer).
Pitbull, Jay Sean, and Sandaime J Soul Brothers have all featured Afrojack on his tracks, and he earned a Grammy for his remix of Madonna’s “Revolver.” He has frequently been in the top ten of “DJ Magazine’s” yearly list of the top 100 DJs, and he founded the record label Wall Recordings in 2007.
Afrojack has been named to the “Forbes” magazine lists of “30 Under 30 – Music” (2015) and “30 Under 30 – Europe – Hollywood & Entertainment” (2016), and he is the CEO of the entertainment and management business LDH Europe.
Who is Afrojack married to?
Afrojack dated socialite Paris Hilton while working on the follow-up to her 2006 debut album “Paris.” The couple split up in May 2012, according to a source who told “RadarOnline,” “Afrojack had moved into Paris’ Beverly Hills mansion earlier this year, and the two got very serious.” Afrojack, on the other hand, just wanted to have fun and not be exclusive with anyone.
He is on the road almost every day, performing in clubs all over the world, and he is simply not ready to settle down, whereas Paris is.” On September 26, 2020, Afrojack married singer Elettra Lamborghini in Italy. Elettra Lamborghini is the granddaughter of Ferruccio Lamborghini, the founder of Lamborghini.
Lauren Meditz, Afrojack’s ex-girlfriend, sued him for $25 million in 2017, alleging that he harassed her and that after their split, he “failed to perform his part of the agreement by refusing to divorce his real and personal property assets for Meditz’s benefit or render Meditz financially secure.” The case, according to Afrojack’s lawyer, is “absurd” and “nothing more than a shakedown of Nick van de Wall.”
